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A T-Rex hides behind trees, eyeing triceratops near a water body in a dense forest.

ALBERTOSAURUS | CRETACEOUS ALASKA

Artist James Havens presents a stunning piece titled “Albertosaurus, Cretaceous Alaska,” part of the No. 1 Alaskan Natural History Series, created circa August 3, 2010, in Anchorage, Alaska. This captivating oil on canvas artwork measures 4.5ft by 7ft. 


In this scene, the sun gently rises as a herd of Anchiceratops cautiously crosses a river during their annual migration to the birthing grounds farther north. Meanwhile, a stealthy Albertosaurus silently stalks the opposite shore, awaiting the ambush to come in the landscapes of what is now Alaska, 70 million years ago. 


The formidable Albertosaurus, featured in James Havens's artwork, could reach up to 10 feet tall and 15 to 17 feet long, distinguishing it as a smaller relative of the infamous T. rex. Fossils of Albertosaurus discovered in Alaska include isolated teeth and the rare bones of a smaller adult or juvenile. 


This painting also highlights the Anchiceratops, which stood about seven feet high and spanned 16 to 20 feet in length, weighing up to four tons; fossil discoveries of Anchiceratops in Alaska include a back end of a skull. The depicted flora showcases “living fossils” such as Ginkgo, Magnolia, Sequoia, Dawn Redwood, Horsetails, and Ferns. 


Collectors can enjoy 75 limited edition museum-quality “Artist Hand Embellished” canvas prints measuring 6ft across, available by special order for an investment of $2,750. Additionally, there are 100 canvas prints sized at 4ft across, also special-order only, priced at $1,750. For more affordable options, a limited run of 2000 archival paper editions, measuring 11.5" X 15.5" across, is available for $125. 


Please contact us at havensfineart@gmail.com for inquiries regarding the larger deluxe editions of this remarkable James Havens artwork.

FROM FIELD TO STUDIO

FROM THE ALASKA PALEO-PROJECT


Created through the studio’s public education program exploring Alaska’s prehistoric life. Field research, scientific collaboration and public painting sessions connect the artwork with the process behind it.

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